At the beginning Rosalind and Duke Senior are apart from each other. His brother has usurped his power and banished him from the court; she has remained behind as a companion to Celia. It is an unfortunate situation, not of their own contrivance, but it raises certain questions. When we first meet the two girls Celia is trying to cheer her friend up, asking her to "be merry," Rosalind answers, Dear Celia, I show more mirth than I am mistress of, and would you yet I were merrier?
At the beginning Rosalind and Duke Senior are apart from each other. His brother has usurped his power and banished him from the court; she has remained behind as a companion to Celia. It is an unfortunate situation, not of their own contrivance, but it raises certain questions.
When we first meet the two girls Celia is trying to cheer her friend up, asking her to "be merry," Rosalind answers, Dear Celia, I show more mirth than I am mistress of, and would you yet I were merrier?
Unless you could teach me to forget a banished father, you must Fathers and daughters in shakespeare learn me how to remember any extraordinary pleasure. Furthermore, she does in fact cheer up almost immediately—she starts quizzing Celia about falling in love—and when Duke Frederick banishes her as a bad influence on his daughter, it is not she but Celia who proposes they "seek my uncle in the Forest of Arden" 1.
The closer physical proximity a father and daughter enjoy, in the play, the greater is her sense of independence and initiative.
Additionally, Celia provides a somewhat pathetic context for underscoring the investment fathers and daughters have in each other when she tells Rosalind, "You know my father hath no child but I, nor none is like to have. For his part, Duke Senior has no child but Rosalind, nor none is like to have, and yet his separation from her appears to bother him not at all.
In the Forest of Arden he asks Amiens and his other companions, Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp?
The virtue of this life, as he says, is the absence of flatterers and false counsellors, but its distinct limitation, although he does not say so, is the absence of women, which means its inability to perpetuate itself. This small inheritance my father left me Contenteth me, and worth a monarchy.
Duke Senior, too, is perfectly happy to have his authority restored at the end of As You Like It, and so we may say about his earlier praise of the solitary life that he is merely putting a good face on an unfortunate but temporary predicament.
It is nevertheless strange that he should miss his daughter even less than she misses him or that he should not feel he is deserting her when she, on the verge of her maturity, might need him most.
Away from him, in any event, it falls to Rosalind not only to choose Orlando for herself but also to test his merit and honor by having him address to Ganymede the sentiments appropriate to Rosalind. To you I give myself for I am yours.
Cordelia says to her father, Haply, when I shall wed, That lord whose hand must take my plight shall carry Half my love with him, half my care and duty.
Sure I shall never marry like my sisters, To love my father all.
To you I am bound for life and education; My life and education both do learn me How to respect you: Although they are being asked only to share their daughters, in other words, the first two fathers find in this sharing the distinct loss of something else—either personal strength or the cultural inviolability of Venice; by contrast, Duke Senior is regaining his duchy and symbolically his power at the moment he is losing exclusive title to Rosalind.
That, naturally, makes her changed status much easier for him to accept.
Contrasted with Rosalind, who moves toward her father in the play, Celia, in accompanying her friend into the forest, is abandoning her father. Insofar as Duke Frederick has a reason for his sudden hatred of Rosalind, it is that she draws attention away from Celia. He tells Celia, She robs thee of thy name, And thou wilt show more bright and seem more virtuous When she is gone.
In any event, he surely tries too hard to make his daughter shine. Doing so, he anticipates a later Shakespearean mother, Dionyza in Pericles, who instructs Leonine to murder Marina so that Philotea will be more honored than she is.William Shakespeare, a poet and playwright wrote many tragedies of similar ideas of young people opposed to marriages.
In the story of Othello, Desdemona’s father Brabantio always invites Othello over his house to listen to his stories. Brabantio never expected Othello to marry his daughter.
William Shakespeare (). “The Plays of William Shakespeare: Accurately Printed from the Text of the Corrected Copy Left by George Steevens: With a Series of Engravings, from Original Designs of Henry Fusell, and a Selection of Explanatory and Historical Notes”, p “In Shakespeare’s Fathers and Daughters, Davies uses his experience as a Shakespearean actor to examine the relationships between fathers (and “father surrogates”) and daughters throughout Shakespeare’s works.
Included are discussions of performance history and sources, character analysis, close readings, and references to recent and Author: Oliver Ford Davies. Shakespeare's possessive fathers tyrannize over their daughters, unwilling to relinquish their "masculine" power and control and leaving these young women with only two alternatives: paternal domination or defiance and loss of love.
Shakespeare was clearly fascinated by the relationship between fathers and daughters, for this primal bond of domination and defiance structures twenty-one of his comedies, tragedies, and romances.
In a conflict that is at once social and interpersonal, Shakespeare's fathers demand hierarchical obedience while their daughters affirm the new, more personal values upheld by Renaissance humanists and /5(2). The fathers and daughters relationships in Shakespeare drama and literature have attracted a great deal of scholarly attentions specifically in the influence of feminist criticism.