The relation between the romantic period and the music of the 19th century

Ancient times[ change change source ] It is not known what the earliest music of the cave people was like. Some architectureeven some paintingsare thousands of years old, but old music could not survive until people learned to write it down. The only way we can guess about early music is by looking at very old paintings that show people playing musical instruments, or by finding them in archaeological digs digging underground to find old things.

The relation between the romantic period and the music of the 19th century

Then, although the Victorian Age embraced some Romantic ideals, it later gravitated toward Realistic While there was some overlapping of the Neoclassicism of the 18th century into the Romanticism of the 19th century, and the Romantic movement into the Victorian Age, there are distinct differences in these periods such as the rejection of 18th century rationalism and control of nature to the 19th century Romantic exaltation of feeling, the supernatural, and the beauty of nature.

Then, although the Victorian Age embraced some Romantic ideals, it later gravitated toward Realistic and Naturalistic perspectives. Eighteenth century poetry The Restoration period is not generally known for great poetry as it adhered to a classical form, and verse was employed to display intelligence, education, and a sense of discipline in the works.

The relation between the romantic period and the music of the 19th century

Early eighteenth century poetry was highly influenced by the classic Greek and Roman authors. But a gradual move away from the formal adherence to classical poetry came with Alexander Pope, who parodied the great literary works of the past with his poem "The Rape of the Lock.

In the latter part of the century, poets such as Thomas Gray, although writing formal poems such as elegies, turned from the formal style to those that were more typical of the free form of the Romantics. Thus, classical and rationalist thought was changed dramatically; part of this major change was effected by the radical social and political changes of this era, such as the French Revolution and its Reign of Terror, along with the crackdown after these events by conservative Britons in England.

Rejecting Classicism and Rationalism, the Romantic poets examined inner feelings instead of using logic, and rejected the Greek and Roman literature for that of the Middle Ages.

Rather than displaying interest in the traditional, the Romantics poets were intrigued by the supernatural and mysterious; instead of following classical and standard forms, they developed new forms of expression; rather than exalting the elegance of English aristocratic life, the Romantics appreciated folk traditions.

In a complete turn from eighteenth century thinking, instead of holding with the concept of control over society and nature, the Romantics believed in democracy and the common people, and they felt that nature should be untamed.

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Another Romantic is Shelley, who is well remembered for his fervor in such lyric poetry as "To a Skylark. Of course, John Keats is a paragon of the Romantic: Victorian poetry During the Victorian Age Britain grappled with the many social and economic problems that industrialization had caused, and it became embroiled in its policies of imperialism; as a consequence, the poetry shed many of its Romantic ideals, but there was little, if anything, of the Neoclassical Age of the eighteenth century.

In the Victorian Age, there remained a prevailing optimism, so the Romantic movement continued to influence Victorian writers. Later, though, there were new styles that began to emerge, such as Realism and Naturalism.


The most popular poet of this era, Alfred Lord Tennyson, was clearly a Romantic since his verse always displays a keen sense of the musicality of language. Another poet who demonstrated Romantic thinking is Robert Browning.

However, in other poems, Browning portrays characters in very un-Romantic attitudes, such as "My Last Duchess. Probably the first Victorian poet to depict the "bewildering confusion" of the industrial age was Matthew Arnold. Many of his poems depict the alienation and separation from nature effected by industrialization.

Also, his poem "Dover Beach" breaks from poetic tradition through the employment of blank verse used to portray the abandonment of faith in life and the social confusion in the early nineteenth century.

Later in the Victorian Age, Naturalism entered into the literary thought with the theories of Charles Darwin and the plight of workers overwhelmed with the forces of nature and history, and the disappointments of urban life and industrialization.

Thus, in the Victorian poetry of the latter part of the century, there were significant changes in thought and style. As the century drew to a close, poets such as Gerald Manley Hopkins, who was influenced by the philosopher Duns Scotus, emerged.

Hopkins also employed a rhythmic pattern that came to be called sprung rhythm, which abandoned traditional metric feet.

The relation between the romantic period and the music of the 19th century

A pessimism emerged in the writings of the "good gray poet," Thomas Hardy, and sentimentality in the poetry of others such as Emily Bronte, who often wrote of settings and characters from the imaginative world of her childhood.The Industrial Revolution was a period in the late 18th and early 19th century when major agriculture manufacturing and transportation had a profound effect on social economic and cultural conditions in Britain and spread throughout Europe and eventually the world, a .

Romantic individualism, however, is hardly confined to the period from to Writing in , Victor Hugo called Romanticism "liberalism in literature," and despite 21st-century politics' specialized use of "liberalism," the term chiefly denotes an assumption of . Carmen's musical realism lies more in the relation of music to character.

Take the final Act IV duet (see Selection 2): Carmen and Don José never sing together in unison or parallel, as is typical at the end of a Romantic duet, signifying unity of sentiment.

This became popular in the romantic period to highlight the era of emotion, drama, and literacy. First used to term Hungarian composer Franz Liszt’s 13 works, the tone poem became a popular style of musicals and orchestras. Classicism was used both by those who rejected, or saw as temporary, transfigurations in the political, scientific, and social world and by those who embraced the changes as a means to overthrow the perceived weight of the 19th century.

Topics in 20th century music The goal of the course is not to present history of the 20th (and 21st) relation between western classical and other kinds of music.

During the semester we shall attend at least two concerts of the music of the 20th and 21st 1 End of the romantic composer Claude Debussy, Sergei Rachmaninov, Gustav Mahler.

Compare and contrast 18th century, Romantic era, and Victorian era poetry. | eNotes